Making a Good Script Great with Linda Seger F9791DVD

Making A Good Script Great With International Lecturer & Author Dr. Linda Seger “A must have for every writer, beginner or professional.” – Barbara Corday, President Columbia Pictures Television. “Ideal for producers, executives and writers.” – Renee Valente, Producer ‘Love Thy Neighbor.’ “An invaluable tool for the working writer.” – Richard Walter, UCLA Department of Theater, Film & TV. Features Structuring The Story, Expressing The Theme and Creating Unforgettable Characters. 90 min. Making A Good Script Great Series Noted Hollywood script consultant, international lecturer and author Dr. Linda Seger, analyzes the elements necessary to make a good script great. Dr. Linda Seger is an international script consultant, seminar leader and public speaker. Her clients include TriStar Pictures, MGM/UA, Turner Network, ABC and CBS. She is author of six books, including the best-selling “Making A Good Script Great” and “Creating Unforgettable Characters.”

May 13, 2010 — Leaked Machete Script Confirms Race War Plot Alex Jones & Aaron Dykes www.infowars.com www.meetup.com May 13, 2010 A script leaked for the upcoming film Robert Rodriguez Machete confirms fears that the film seeks to build up a racial cult figure who kills for the cause of illegal immigrants. Alex Jones first put out a video warning about the potential of Machete to kickstart a race war after he was warned by two Hispanic members of Robert Rodriguez production crew about its offensive message. Last week, an Internet-hyped Illegal trailer for the film revealed many politicized aspects added to the already violence-laced film premise of a pissed off Mexican who wipes out his American enemies with a machete and a mob. The 70s exploitation-styled film was first spoofed in Rodriguez & Tarantinos Grindhouse before it was fully developed as a feature. It is, however, no longer a joke. Now that production for Machete is wrapping up in Austin, it is clear that its racially driven plot plays upon thin stereotypes, pejorative cross-culture terms and exacerbated divisions between immigrants and white people. The film is dangerous because it glorifies Machete as a hero, invoking his fictional racial struggle alongside clear parallels to current events and headlines ripped from topical news. We have already seen episodes of violent attacks, declarations of violent intent at protests (such as in Arizona and Santa Cruz, California) and demonstrable anger over attempts as

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