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followed suit such as Kunle Afolayan (Irapada, The Figurine,araromire (blend of Yoruba and English ), Daniel Ademinokan (Omo Iya Kan ).
Despite the presence of subtitles, most viewers are unwilling to watch movies produced in the Indigenous language as against those in English. It is worthy of note that movies using the indigenous languages have begun to make impact in the USA, Europe and at the Oscars. Slum dog millionaire attests to that. Bollywood does not compromise its deployment of indigenous language which has become its trade mark. It’s not the language that really counts but the combination of all the relevant elements needed in producing a mind blowing movie. At the end of the day, it’s really a matter of choice open to filmmakers, to decide which of the languages would appeal to the audience and powerfully send the theme of the story across to them.
