How Budget Strangulation in Independent Cinema can Create Orgasmic Returns

Published September 14, 2010 | By Bman

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but who you think are ready to do it and shoot for longer, than it does trying to find some four thousand dollars a week DP who you think is going to save you time and allow you to shoot for a week less. It doesn’t work like that. That was the philosophy that he [Mark Silverman, line producer] brought into the movie and it was really helpful for us.”[8]

7. Create a Process that Aligns with the Tone of your Film

This is a relatively esoteric concept, but I believe the emotional context of a creative endeavour directly feeds the outcome of that endeavour. As a director, you begin to see that creating a tone in conversation with your actors, a dialect you use with your crew or a way of phrasing things to a cinematographer effects the tonal outcome of the film you’re creating. This is why you try to keep actors a safe distance from crew chatter to

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