Hugh Grant
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which was brought to theatres by much of the same team that was responsible for FWAAF. This new Working Title production displaced FWAAF as the biggest British hit in the history of cinema, with earnings equalling 3 million worldwide. As it became exemplary of modern romantic comedies in mainstream culture, the film was also received well by critics. CNN reviewer Paul Clinton said, “Notting Hill stands alone as another funny and heartwarming story about love against all odds.” Reactions to Grant’s Golden Globe-nominated performance were varied, with Salon’s Stephanie Zacharek criticizing that, “Grant’s performance stands as an emblem of what’s wrong with Notting Hill. What’s maddening about Grant is that he just never cuts the crap. He’s become one of those actors who’s all shambling self-caricature, from his twinkly crow’s feet to the time-lapsed half century it takes
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