Hugh Grant
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Bros.’s Two Weeks Notice, which made 9 million internationally but was judged poorly by professional reviewers. The Village Voice concluded that Grant’s creation of a spoiled billionaire fronting a real estate business was “little more than a Britishism machine.”
Two Weeks Notice was followed by the 2003 ensemble comedy, Love Actually, headlined by Grant as the British Prime Minister. A Christmas release by Working Title Films, the movie was promoted as “the ultimate romantic comedy” and accumulated 6 million at the international box office. It marked the directorial debut of Richard Curtis, who told the New York Times that Grant adamantly tempered the characterization of the role to make his character more authoritative and less haplessly charming than earlier Curtis incarnations. Roger Ebert claimed that “Grant has flowered into an
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