Hugh Grant
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American woman. In earlier films, Grant was adept at plugging into the stereotype of a repressed Englishman for humorous effects, allowing him to gently satirize his characters as he summed them up and played against the type simultaneously. His screen persona of later films gradually developed into a cynical, self-loathing cad. Using his facial contortions and an affected stammer for varied comic purposes, Grant once admitted his inability to cry on cue, even with the help of menthol. His preference for levity over dramatic range has been a controversial topic in establishment circles, prompting him to say:
I’ve never been tempted to do the part where I cry or get AIDS or save some people from a concentration camp just to get good reviews. I genuinely believe that comedy acting, light comedy acting, is as hard as, if not harder than serious acting,
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