Hugh Grant
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celebrated the observation that finally “gone [were] the self-conscious ‘Aren’t I adorable’ mannerisms that seemed endearing at the start of [Grant’s] film career but have grown cloying in more recent movies.”
Repeated accusations, which have only subsided in recent years, have targeted what the critics contend is Grant’s inclination to make his characters likable rather than complex. In 1999, Stephanie Zacharek stated that “by the time of Four Weddings and a Funeral, he’d switched to a more straightforward, dull, crumpled-corduroy acting style,” perhaps because, she chided, “Why bother to play a character when you can just ape a stereotype?” According to Carina Chocano, amongst film critics, the two tropes most commonly associated with Grant are that he reinvented his screen persona in Bridget Jones’s Diary and About a Boy and dreads the
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