Hugh Grant
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proper British tourist who is married, but finds himself enticed by the sexual hedonism of a seductive French woman and her embittered, paraplegic American husband. The film was called an “anti-romantic opus of sexual obsession and cruelty” by the Washington Post. His other work in period pieces such as Ken Russell The Lair of the White Worm (1988), award-winning Merchant-Ivory drama The Remains of the Day (1993) and (as Frdric Chopin in) Impromptu (1991) was largely unnoticed. He later called this phase of his career “hilarious,” referring to his early movies as “Europuddings, where you would have a French script, a Spanish director, and English actors. The script would usually be written by a foreigner, badly translated into English. And then they’d get English actors in, because they thought that was the way to sell it to America.”
At 32, Grant
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