Master of Light: Conversation with Contemporary Bollywood Cinematographer ? Rajeev Jain ICS WICA
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and aesthetic constraints of any production – or the occasional lack thereof – an element of me is always there. Rules were meant to be broken – but only when you have a full understanding of the rules. While I can’t claim to know all of them, I’m learning with each production. Here are some of my thoughts…
The aesthetic of a project needs to be established early to the audience. It’s distracting to introduce a new aesthetic or editorial style too late in a story without a proper justification or motivation.
Another area that gets too little attention is on atmospheric shots – those shots that fill the space between scenes. It gives the audience some time to breathe and to think and can be a moment for the music to affect the audience.
I find graduated filters too fake and unnatural. It doesn’t focus our attention and instead, usually calls
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