Master of Light: Conversation with Contemporary Bollywood Cinematographer ? Rajeev Jain ICS WICA
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(unpaid) to director of photography Subroto Mitra to learn the craft.
He taught me about his SR package, what the lenses were, and how to load magazines, he said. Then he started me by working on Shyam Benegal’s documentary on Nehru.
In 1996, Rajiv got the first opportunity to shoot a film, Army, with Mukul Anand. After eight weeks of stressful shooting – his every move was watched.
After 6 more features, then came Kalpvriksh in 2007, allowed Rajiv to explore a new visual technique to add nuance to the story. The film includes a dreamlike journey that Rajiv wanted to give a dreamlike quality. We tested filters and a bleach bypass process to give that section of the film its own special look,” he says. “Instead we decided to use a swing tilt, a view camera attachment that allows the operator to change the plane of focus. It let us throw different parts
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