Master of Light: Conversation with Contemporary Bollywood Cinematographer ? Rajeev Jain ICS WICA
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exploited Vision 500T (5279) on most night interiors and exteriors. Since shooting, the cinematographer did extensive tests with different materials to search for the right thickness and translucency. “It’s the same as using a cheap filter on the lens and we realized that any distortion or loss of focus would be magnified when the lab optically ‘squeezed’ the images into the 2.40 aspect ratio. In addition to selecting the right plastic, it was important for us to record a strong negative with properly focused images. We were shooting through filters at least 90 percent of the time.
While shooting forest scenes with the lead actor, Rajiv employed what he calls a Nine-light sandwich. “Others might call it a book light, but in any case, we were bouncing a Nine-light Maxi Brute off a piece of bead board, then letting the light pass through a diffusion frame usually fitted
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