Master of Light: Conversation with Contemporary Bollywood Cinematographer ? Rajeev Jain ICS WICA
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slightly blue key light on the actors but didn’t put any flickering movement in because I felt that it was distracting. The only flickering on their faces comes from the actual water. What I did add was a slight flicker effect on the walls, which I found to be more pleasing while lending a bit of realism.
Front-end lab work was done by Gemini, which provided film dailies. “After her experiences in the commercial world where you work on a monitor all the time, Manika loved watching film dailies – it opened up a new world for her,” says Rajiv. “For example, there is a shot of a Shabana delivering a line at the end of a long shot under the tree. When Manika saw it played back on the monitor, she didn’t feel good about it. She seemed too small in the shot. She remarked that maybe her line would have to disappear in editing. After some time, Manika saw it
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