The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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time is going on — light becomes night, which reverts to morning. Life becomes death. Making a film is like documenting a journey and using light in the style that best suits that particular picture… the concept behind it.
The first important decision regarding the visuals was to shoot in anamorphic (2.4:1) format, as they had done on Kalpvriksh – The Wishing Tree. Rajeev explains that Manika likes to manipulate the subjective and objective viewpoints, sometimes in the same frame or even at the same time. In a simple example, a shot will begin on a subject, and then an actor will step into the frame, creating an over-the-shoulder shot, changing it from subjective––in which the viewer sees what the character sees––to objective. “One of my first suggestions was shooting Kalpvriksh – The Wishing Tree in Super 35 format,” Rajeev continues. “I felt that
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