The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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their collaboration with this technique allowed us (especially in the dinner / fantasy sequences) to have a warm and yellow-looking scene, as if all that was lit was candle light,” he says.
In one dramatically lit scene, the school principal (Mahabano Kotwal) is sitting on the chair, looking out a window at the falling rain. “The whole scene was lit with one hard day light, an ARRI 6K,” says Rajeev. “We brought one light through the window. In order to light the door, we used a 4 by 4 mirror just out of frame to the right. The light is modulated by the rain on the window, and it stretched over to the book. We were ‘gathering chestnuts.’ It was serendipitous, and it all worked out with one light.” “For fill light on this movie, we used either very, very little or absolutely none,” he adds. “I find that with the film stocks we were using, if
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