The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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shooting horizontally across a room, and there are horizontal surfaces, like the tops of mantels and tables. If you come from directly overhead with a light and drill it down onto that surface, it works quite well. It doesn’t seem wrong. If light comes from a place that’s not normal or usual, people seem to accept the element that’s being illuminated without really figuring out what’s going on in terms of a source. Shadows go straight down, so they don’t end up looking strange or calling attention to the source. You see it on the table and then it comes off the table and lights the faces to a degree. It’s interesting because you’re not lighting the people at all. You’re lighting the environment that they’re in.
Anamorphic gives you the space in the frame to do that,” Rajeev says. “Manika has no problem filling an anamorphic frame in a contemporary
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