The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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cases it was very subtle, however, just reflecting in the shine of the skin. “We used the reflectors as almost more of an eyelight,” Rajeev says. “There is such tension between these three characters. There are a lot of internal emotions beneath the surface of this movie. I felt that the audience needed to have access to the internal life of the characters, so I tried to keep eyelights going, especially when we’d get in close. Often it was done with a small reflector thrown in at the last moment.
One of the most important aspects included previsualizing the character of Shabana herself. “To nail her down, we started off by working on storyboards with an artist,” says Rajeev, “who drew terrific boards and is a brilliant artist as well. We told him our thoughts on how the Shabana looked and he set to work. Manika credits him with creating a good part of the final
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