The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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through filters at least 90 percent of the time.
While shooting forest scenes with the lead actor, Rajeev employed what he calls a Nine-light sandwich. “Others might call it a book light, but in any case, we were bouncing a Nine-light Maxi Brute off a piece of bead board, then letting the light pass through a diffusion frame usually fitted with either 216 or light grid. The resulting soft light striking He had a very beautiful quality, plus some serious pounding of foot-candles. This soft light had enough to punch through Shabana’s hair, and I could control the amount of light just by clicking off various globes. But it also required a lot of flagging and took up much space.” On other occasions, Rajeev illuminated the Forest by directing the light from more extreme angles. “I came in much lower and more frontal with his key than I would have normally, but the
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