The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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cracks in the cave roof let hard sunlight in,” he continues. “I put some signs of this in on the walls behind the actors and let some light bounce off the floor. For the most part though, the cave scenes are set at night – lit by firelight or lanterns or the imaginary glow coming off, which isn’t plugged into anything. For the Water, I chose to use a slightly blue key light on the actors but didn’t put any flickering movement in because I felt that it was distracting. The only flickering on their faces comes from the actual water. What I did add was a slight flicker effect on the walls, which I found to be more pleasing while lending a bit of realism.
Front-end lab work was done by Gemini, which provided film dailies. “After her experiences in the commercial world where you work on a monitor all the time, Manika loved watching film dailies – it opened up a new world
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