The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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for her,” says Rajeev. “For example, there is a shot of a Shabana delivering a line at the end of a long shot under the tree. When Manika saw it played back on the monitor, she didn’t feel good about it. She seemed too small in the shot. She remarked that maybe her line would have to disappear in editing. After some time, Manika saw it projected on a big screen and loved the shot.” When asked if such glad tidings extend to the on-screen drama as well, Rajeev smiles, and says, “Would you be surprised if I said there is a happy ending?”
The cinematographer does not use diffusion on the camera lens, instead preferring to soften his subject as needed by selectively affecting the light source. “I’ve never liked it in films when the overall resolution of the lens changes visibly during cuts in to a close-up during a scene,” he declares. “The whole business of
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