The Written Word: Rajeev Jain (Indian Cinematographer) Visual wizardry….
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/>LIGHTING
I believe there is no best way to light. Every film has its unique demands. Some directors may want 360 degree dollies while others do not move the camera at all; others like to work with marks while some do not; some schedule 20 shots a day while some just 10. In all cases, I have to find an approach that reinforces the director s instincts, stays within the production s resources while at the end the day, elucidates the drama.
FORMAT
Whether it is Super 16, HD or 35mm, I am format agnostic. I work closely with the director and producer to not only choose a viable format; but also, to exploit it to the fullest.
EQUIPMENT
Through my contacts with vendors and rental houses; my collaboration with key personnel; and from years of shooting at a variety of levels – I keep productions
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