Kingdom Hearts Crazy Files 28

I told you it wouldn’t take me a whole year this time. 🙂 Well, it wasn’t easy, but here ya go everyone. KHCF 28. Now, I wont be making any new episodes until Spring Break. No garentee that I’ll have it out then, but I will get it started at that time. I’m starting a new college semester, and I have to focus on that. But I’ll be back this summer to wrap things up. Before I go, I want to say that my good friend Blackmamba served as a huge inspiration here, and I want to thank him specially for being such a great sport. Thanks a bunch man, you’re great! Now enjoy the video! DISCLAIMER! This video is purely fanmade! Answers to frequently asked questions: 1. What’s the song that plays when Roxas goes insane and starts killing everyone? -“Mr. Patch boss fight music” from Banjo-Tooie 2. What’s the music that plays at the start when the camera zooms in on Xemnas’s face? -“Invasion” a song from Bleach, not the band, the anime 3. How do you make those faces on the characters? -I take a snapshot of the character in movie maker, then I open the snapshot in paint, and draw the silly face. NOW YOU KNOW!! Nosidda89 is pissed! Demyx wants ice cream real bad Xaldan is playin a dude disquised as another dude Roxas wants Heyner to pick up his poop Sora has paper coming out of his ass Demyx spreads a special rumor Saix wants a pound of nuts, that’s alot of nuts! Roxas wants cheesy bread! Riku discovers gravity Demyx wants a pony Leon was out drinking then killing people Here comes the …
Video Rating: 4 / 5

Director/Editor/Post Production: Bison Producer: James Bretton Production Company: Blinkink Additional Camera: Chris Nunn How the video was made: We approached Jon with the idea for arm-mounted cameras a few weeks before the show, and luckily he was up for it, so we broke out the power tools and set about making some mounts: After dissecting a couple of tripods and orthapaedic elbow supports, we had a solid platform for the miniature cameras. We covered the gig with 5 cameras in total: 2 roving cameras, 1 static, and the 2 ‘lipstick’ arm cameras that were wired into tape recorders at the back of the stage. The trickiest part was getting the cameras on and off Jon’s arms whilst he continued to play as his set is more or less continuous.. The ‘post production’ on this video was unorthodox: All analogue and all in-camera. We were really keen on making a gritty, abstract performance video. So we set to work with magnets, screwdrivers, VHS tapes and a host of other techniques: We made an initial edit and played this back through a £3 TV we picked up at the local market, and ‘manipulating’ it with a screwdriver allowed us to flutter and flicker the image on screen. We’d also bought an industrial strength magnet and used that to distort and twist the picture on itself. We made several runs through the track in this way before playing everything out to VHS (with obligatory stomping and scrunching). This effectively gave us a new set of footage to make a tailored, grunged-up edit …