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much-appreciated common sense of dramatic gravitas. Since with the head IP MAN film, director Wilson Yip is able to depletion the dot setting and important production morals to create something more than scarcely a new beat-’em up combat flick. While characterisation is broad and historical accuracy no more than ephemerally functional, the script however presents a handful of friendly and engaging typescript and infuses its story with tension, excitement and a dry wit so as to ensures it is in no way not as much of than enjoyable. The film touches on issues of Colonial life – such as the British government’s interferences with the media, police force brutality and corruption, as well as their wide-ranging lack of respect on behalf of regional culture and customs and if by the side of time it feels a little more drawing than actual historical verity, Yip retains an appropriate
